Seven are people and one is done-dirty source material. The blood. So much blood. Writer-director John Patton Ford has misguidedly modernized “Kind Hearts and Coronets,” the classic Alec Guinness ...

The actor stars in this comedy with a high corpse count, but the movie’s lightness soon becomes forced. By Manohla Dargis When you purchase a ticket for an independently reviewed film through our site ...

How To Make a Killing, a dark comedy starring Glen Powell and Margaret Qualley, is new in theaters. How soon will it be available to watch at home? Written and directed by John Patton Ford (Emily the ...

All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission. This film's predecessors ...

Glen Powell tests the limits of his considerable charisma as a serial murderer in “How to Make a Killing.” It helps that the audience is rooting for this dude from the jump in a darkly comedic ...

Becket Redfellow (Glen Powell) is no ordinary convicted man on death row, and not just because he wears a satin slumber mask with his prison coveralls. The story he tells, to a visiting priest (Adrian ...

As seen from his previous feature, “Emily the Criminal,” filmmaker John Patton Ford knows how to dive into the nastiness of income inequality, and the necessary ruthlessness to get ahead in the rigged ...

"Emily the Criminal" filmmaker John Patton Ford loosely adapts "Kind Hearts and Coronets" for a star-packed outing hobbled by an oddly dull script and a tone that (unfortunately) matches it. There are ...

Forbes contributors publish independent expert analyses and insights. Olivia Singh is a reporter covering TV and film. Glen Powell returns to the big screen with a new thriller that’ll keep audiences ...

Margaret Qualley, Ed Harris and Topher Grace also appear in John Patton Ford's reimagining of the classic 'Kind Hearts and Coronets.' By Frank Scheck Trying to find your niche as a movie star isn’t ...

“How to Make a Killing” boasts an opening so strong that it buys enough audience goodwill to coast through nearly its entire running time. That’s priceless in a screwball murder movie in which ...